By Dalia Taha | Directed by Adam M. Kassim
In the aftermath of murder, a man and woman attempt to connect inside the finite time of a viral video, a digital resurrection, and a playwright’s mind. A story about video, time, and the ghosts we can’t let go.
A mother and father avoid confirming the identity of young, unidentified body, doing their best to narrate a version of events in which he is still alive.
Two women tell a story about the way a third woman tells the story of her murdered husband. An exploration of the ways Palestinians are forced to talk about trauma, and the performances they necessitate.
A tourist in Palestine attempts to buy a keffiyeh, but finds the process more difficult - and infinitely more complicated - than she expects. At play are social expectations, (mis)communication, and the messy reality beneath stereotypical images.
Two sisters argue over colored contact lenses, student discounts, and which one of them is really a writer. They exchange jabs to mask insecurities surrounding identity and creation. Who, of the two, gets to be a “real” artist?
A newly married couple waits in line at a checkpoint. She’s trying to reach him; he’s not listening. A story about the checkpoints that extend beyond the fence, and the little rebellions it takes to bring them down.
A couple discuss their house, the neighbor’s house, and sons. A story about building a home in the face of sacrifice and loss.
About
Ramallah-based, Palestinian playwright DaliaTaha's utterly distinct slices of Palestinian life are at times unsettling, heartbreaking, and humorous - as parents, lovers, sisters and friends cope with a decades-long occupation. These exquisite short plays explore how the most intimate of relationships are infiltrated by colonization and displacement.
A review of 20 years of programming from The Voices of a Changing Middle East Festival (about 75 projects in all) revealed that only one project was written by a Palestinian – a staged reading entitled In Spitting Distance by Taher Najib. In an effort to provide some balance, Mosaic's artistic team began discussions around using a virtual platform to highlight a play by a Palestinian writer appropriate for online presentation. The virtual presentation of Keffiyeh: Made In China, was the result of that commitment.
STREAMING NOW THROUGH OCTOBER 31!
press and reviews
“Mosaic Theater has gifted us just that — a mosaic of short and trenchant pinhole theatrical views into the everyday tensions, fears, and losses experienced by the Palestinian people. [It] reminds us that we don’t have to sacrifice connectedness and artistic excellence even in these challenging times.”
“Mosaic director reconnects with his ‘Palestinian side’ in new show.”
“Dina Soltan offers a stellar performance, her face a perfect roadmap of roiling emotions.”
“Director Adam M. Kassim and production designer Mona Kasra have effectively used the web to deliver intense experiences.
Constellations
We invited Palestinian artists, writers, and thinkers to contribute pieces which are in conversation with Taha’s play. Some pieces directly respond to the episodes; some merely take them as a point of departure. All are thoughtful and beautiful articulations of Palestinian art-making, thought, and expression.
Our hope is that this series can expand on and strengthen Mosaic’s commitment to Palestinian culture-workers, creating a constellation of artistic expression which mirrors and honors the loose, non-linear structure of the play.
Ahlan wa sahlan—welcome.
creative team
Dalia Taha is a Palestinian poet and playwright. Her produced plays include Graduation, video reading, Maxime Gorki Theatre and LCB, Berlin 2020; Hunger: a Musical, Qattan Foundation and Al-Mawred Althaqafy, Palestine, 2018; There is no one Between you and me, Brown University, 2016; Fireworks, the Royal Court Theatre, 2015; Keffiyeh/Made in China by The Flemish Royal Theatre and the Qattan Foundation, 2012. Her poetry collection, "The Autobiography of the People of the City of R" is forthcoming. Dalia Holds an MFA in Playwriting from Brown University. She is under commission by the Royal Court Theatre.
Adam M. Kassim is a theatre director, educator, and arts facilitator. He has a love for new play development and a passion for exploring stories that bravely investigate the messiness of the human condition. Directing credits include The Honey Trap and Dead House (Boston Playwrights’ Theatre); And Baby Makes Seven (Lincoln Square Theatre); Little Row Boat: Or, Conjecture, Agamemnon, Mrs. Packard, In the Heart of America, Ghosts, and The Europeans (Boston University School of Theatre). Adam has served as an assistant director at The Kennedy Center Playwrights Workshop, New Repertory Theatre, SpeakEasy Stage, and the Opera Institute at BU, and was an observer for the 2020 PlayLabs Festival at the Playwrights' Center. Upcoming projects: Doubt with New Repertory Theatre (Spring 2022). Adam is a proud member of the 2020 National Directors Fellowship cohort with the O'Neill Center, National New Play Network, and SCDF. He is an SDC Associate member and was recently appointed to the advisory board of Boston Playwrights' Theatre. Adam received his MFA in Directing from Boston University, where he continues to work and teach in the School of Theatre. Adam grew up in South Carolina and considers himself the gay, Palestinian American embodiment of Anne of Green Gables. He currently lives in Boston, MA with his husband and two fur children, Berry and Huck. For more information on Adam's work and his thoughts on theatre, check out www.adamkassim.com.
Dina Soltan most recently appeared as Ada in Ada And The Engine with Avant Bard. She also played Dhana in Dhana and the Rosebuds with Ally Theatre Company, a devised ensemble piece. Originally from England, she studied A Level Drama, where she then moved to Egypt and studied Theater. Eventually, she moved to Washington D.C where she attended and graduated The Honors Acting Conservatory at The Theater Lab (2016). Acting credits also include Or, (Theatre Prometheus), Reykjavik (Rorschach Theatre), A Woman of No Importance (Scena Theatre), The Vagrant Trilogy (Mosaic Theater Company of DC), Soldier Poet (Theatre Prometheus), Neverwhere (Rorschach Theatre), The Blind (The Wheel Theatre Company).
Ahmad Kamal is happy to be back at Mosaic and sharing stories and tales, during a time where we truly need them. Ahmad has worked with numerous theater companies, including Round House Theatre, Signature Theatre, Shakespeare Theatre Company, Woolly Mammoth Theatre Company, and many more. He holds a BFA from The University of Virginia and an MA from Bristol Old Vic Theatre School.
Fargo Nissim Tbakhi (Man) is a queer Palestinian-American performance artist and writer. He is the winner of the Ghassan Kanafani Resistance Arts Prize, a Pushcart and Best of the Net nominee, and a Taurus. He has received fellowships from VisArts, Desert Nights, Rising Stars, Halcyon Arts Lab, Mosaic Theater, and RAWI. His writing appears in Foglifter, Mizna, Peach Mag, Apex Magazine, Strange Horizons, the Shallow Ends, Prolit, and select bags of Nomadic Grounds Coffee. His performance work has been programmed at OUTsider Fest, INTER-SECTION Solo Fest, the Rachel Corrie Foundation’s Shuruq Festival, the Alwun House Monster’s Ball, Mosaic Theater, and has been supported by the Arizona Commission on the Arts. Find more at fargotbakhi.com.
Violet Regan is thrilled to be making her Mosaic Theatre Company debut as Young Girl in Keffiyeh/Made in China. She is currently in her freshman year at The University of the Arts in Philadelphia, perusing a BFA in Acting (via zoom!) This past spring Violet was the recipient of the E. Wilson Award for Theatre Arts: Acting at Episcopal High School in Alexandria, VA. Some of her favorite roles include: Mayzie LaBird in Seussical the Musical, Wendy Darling in Lost Girl, Little Red Riding Hood in Into The Woods, and Gay Wellington in You Can’t Take It With You. Violet is so thankful for the opportunity Mosaic Theatre Company has given her to create theatre again and hopes you enjoy the show!
Sanam Laila Hashemi is so excited to be returning to Mosaic and working with this wonderful team! Recent credits: The Who & The What (TheaterWorks Hartford); Pilgrims Musa & Sheri in the New World (Mosaic Theater); Tiny Beautiful Things (Lake Dillon); The Christians (Virginia Rep/Cadence Theatre); Dance Nation (TheatreLAB). Sanam is a proud member of the Pipeline New Works Fellowship where she has written two plays under the mentorship of David Lindsay-Abaire. She studied at the Maggie Flanigan Studio and holds a B.A. from Virginia Tech. She is grateful to her family and friends for their support.
sanamlailahashemi.com
Production Manager
Assistant Editor
Karim is a theatre artist, educator and content creator originally from Cairo, Egypt. Karim holds a Bachelor of Fine Arts in Acting from Towson University and an Associate of Arts in Theatre Performance from Montgomery College. Karim also has over 8 years of experience in video production and has produced digital content for theatres, colleges, and non-profit organizations. Through his work, Karim aims to bring awareness to social and global challenges facing our current and future generations and cross language and cultural barriers to empower people regardless of who they are, where they come from, or what they believe in, to be part of the solution!
Production Designer, Storyboard Artist and Editor
Mona Kasra is a new media artist and Assistant Professor of Digital Media Design in the Department of Drama at the University of Virginia (UVA). Her selected design credits include We Swim, We Talk, We Go to War (Golden Thread Productions, San Francisco), Holy Bone, Flesh World, (w)hole, T.N.B, blahblah (DWZ, Dallas), Seven Guitars, Arctic Circle, [I]nquiry, Phase 3-ii, She Kills Monsters (Charlottesville). She holds an MFA in Video Art and a PhD in Arts & Technology.
Sound
Director of Photography
Chris Wren is a director, cinematographer and theatre artist originally from Spring Green, Wisconsin. He is a founding member of Capital City Theatre and Origin! Theatre Company and holds a Bachelor of Arts in Theater from Edgewood College and an Associate of Arts in Graphic Design and Video Production from Madison College. Chris has over a decade of experience in video production and marketing with a focus on theatre and non-profit performing arts organizations. He is also a proud member of SAG-AFTRA with acting credits that include MTV, CBS, FOX and Hyundai USA in addition to regional theater work. www.theatrevideo.com
Production Coordinator
April E. Carter is very excited to be at Mosaic. For over 20 years she has been Stage Managing in around the DC area and has toured nationally. Some of her stage management credits include The Devil’s Music the Life and Blues of Bessie Smith (ASM/Mosaic Theater), Aladdin (ASM/Adventure Theatre), James and the Giant Peach (ASM/Adventure Theatre), Avenue Q (TAKE OVER ASM/Constellation Theatre) and Three Sistah’s (ASM/Metro Stage) Hooded: Or Being Black for Dummies (SM/Mosaic Theater}, Paper Dolls (ASM/Mosaic), Oh, God! (ASM/Mosaic), Oyeme’ (SM/Imagination Stage),. April is a native Washingtonian who grew up in Columbia, MD. She received her B.F.A. in Musical Theatre from Howard University.